![]() Worthwhile to begin to stick to details like this. Understood and studied the main practical foundations of music well, it is From the point of view of reference, this could impair theĪssured, for now you don’t have to worry about these details. ![]() The second representation, you would say that the F note appears with and This is easy to observe in the first representation. The C sharp scale, is the F note sharp?”, Your answer should be ![]() Repeating the F and C notes in the representation. The most correct, because if we wrote C#, D#, F, F#, G#, A#, C, we would be Consider the C sharp major scale as an example. Saying E# (for example) is not wrong, and in some cases it is even the mostĬorrect option to use. Likewise, the E# or B# nomenclature is not usually used, as they are the F and C notes, respectively. It doesn’t make much sense to use this second representation we show it here only for the purpose of understanding. In practice, it is not usual to use the writing (#) or (bb) because it is much easier to write “E” than “D#”, for example. Some representations and their equivalences are listed below to facilitate understanding: Read the next section “What are tones and semitones” to complement this concept. The difference in nomenclature (flat or sharp) serves only to indicate whether we are referring to a note above or below.įor example: D flat is the same as C sharp. 7 out of these 12 notes receive a specific name (C, D, E, F, G, A, B) and the others are identified by a sharp (#) or flat (b) of these notes, also called accidents (or alterations).Ī sharp, by definition, is the shortest distance between two notes in Western music, as well as a flat. ![]() In Western music, there are 12 notes: C, C#, D, D#, E, F, F#, G, G#, A, A# and B. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |